Wednesday, April 30, 2008
Grammar Girl
http://www.youtube.com/watch?v=lWFCMOo0Wis
Iconica
The different elements are described:
(a) REAL: natural forms
(b) SYNTHETIC: ideal archetypes
(c) CODED: information
(d) ABSTRACT: digital abstraction
(e) SUBCONSCIOUS: mind/dreams
(f) METAPHYSICAL: energy
"These elements are the roots of the iconic language,"
The part that surprised me the most was when the author talked about the use of a grammatical system. For some reason, I thought there was no grammar system and everyone who used symbols as a form of language talked like cavemen. Now, I know differently.
Von'Dragas Smalley's New Thread
Alternatives to the Error Hunt
Tuesday, April 29, 2008
ESL Games and Quizzes
Peace. One.
http://www.teflgames.com/games.html
The Tower of Babel...
1) What is grammar?
2) Why have we moved away from grammar
as part of writing instruction?
3)What are some of the differing opinions, past and present, regarding grammar as it
relates to writing instruction?
4) Does grammar have a place in the writing
classroom of the new century? If so, where?
Martinson provides three different definations to grammar. Grammar 1 suggests, "grammar to be the 'unconscious knowledge' of language, claiming that all persons who use a language, whether literate or not, know the language or else they could not use it." Grammar 2 on the other hand, "is our conscious knowledge of language, including "concepts, terminology, and analytic techniques for talking about language." Grammar 3 defines grammar under the the claim of Gribbin, " grammar is not really grammar, but is 'linguistic etiquette' or usage." Next, we will discuss 'why has grammar moved away as part of writing instruction.
Why have we moved away from grammar as part of writing instruction? Research claims that formal grammar did not improve writing and could even bring about a 'harmful effect on the improvement in writing'. In fact, teachers tended to switch from 'product' writing to 'process' writing. The trend of a constructive approach started to replace the traditional behavioral approach to teaching. To clarify, the focus in the writing classroom was no longer on the end product, the paper, but on the process by which the paper came to be. 'Product' versus 'process' is a debate which flares differing opinions, past and present, regarding grammar as it relates to grammar.
One anti-grammar view (already mentioned)is by Braddock claiming grammar to be "harmful" to writing development. On the contary, Constance Weaver, author of "Teaching Grammar in the Context of writing," reminds us "that during the Middle Ages grammar was thought to be the foundation of all knowledge, the necessary prerequisite
for understanding theology and philosophy as well as literature." Most will agree that modern research has hindered students to perform their 'grammatical duties' due to a radical belief that it is the 'process' and not the 'product' which is of up most importance. This brings us to our final question, " Does grammar have a place in the writing classroom of the new century? If so, where?"
Grammar is probably the most important aspect of writing instruction and should always remain an intricate part of the classroom. How may one possibly be grammatical literate if they are not provided with proper instruction. This trial and error approach (process) to writing instruction, regarding grammar, should not be an entity on its own but rather a co-contributor to the 'product'. In other words teachers should implement a sequence to writing papers. This sequence is of the following: 1) Outline 2) Rough Draft 3) Revision 4)Peer Editing 5) Final Paper. For the most part high school teachers follow this writing instruction order, and if they do not well they should. This is a very effective writing system and is efficient within the common high school classroom.
I hope you have all gone away with a new perspective to teaching grammar as part of your writing instruction. Your students will be better off.
Sunday, April 27, 2008
Prescriptive Grammar of England in the 17th and 18th Centuries
1. Standardize it by creating a system of rules for which it had to follow.
2. Refine it by taking away any defects in the language.
3. Ascertain it by making perfect so it will never change and evolve. They did this so that there work would always be understood.
These ideas were good because standarizing the language would make it easier to be taught in schools and more people would be able to speak and understand the language. However refining it and trying to ascertain it would not benefit the language because having the language grow encourages more intellect between scholars. Since this is was the belief of the group they tried to push for an English Academy to monitor the language and create the three rules above. This did not happen however, but there were grammars that were produced that helped understand the difficulties of English.
Although the grammarians of the time did not fully re-order the English language there were leaps and bounds made it its theory and thoughts. Many people began to look into why we have past participle and why it is important to the language. Grammarians were taking a new look into the marvelous language of English!!!!!!
Conjunction Function
This video is a classic 'School of House Rock' production so I thought it would cool to post this as my thread(Plus, it was a part of my mini-lesson). Enjoy! Let me know what you think of the video. Peace. One.
Thursday, April 24, 2008
Tom Swifties
Look at the books from the 1920s for examples.
PROMPT 1:
Get together in groups of 3-4. Go to the following webpage (and other related ones you find yourself). Your group's task is to create a 12-item test for another group that this group has to solve. The group that solves most of the 12 items it gets from another group wins. You need to retype Tom Swifties that you find on the webpage, but you leave out the last word, i.e., the pun, for the group to fill in the blank.
Examples:
1. How do you start a model-T Ford without a battery?" asked Tom _____________ .
(answer: CRANKILY)
2. "I have to wear this cast for another six weeks," said Tom _________________ .
(answer: DISJOINTEDLY)
3. "I'm shocked," said Tom _____________________ .
(answer: ELECTRICALLY)
You should select sentences that people are able to guess, when they think hard.
EMAIL me your 12-item quiz (with solutions). Only one per group, please!
PROMPT 2:
Invent 3 Tom Swifties on your own!!! Publish them as a comment to this blog. If you work in groups, indicate all your names on your blog entry.
Special Languages
Do a quickwrite as a comment to this blog about the PROMPT:Is it possible to live without numbers? Is it possible to live without words for or sense of time? Is is possible to live without words for colors? Why, or why not? If yes, what would it be like?
TASK 2:
Read the following text. What are the special features of this language? Make a bullet-pointed list with examples in a Word document.
TASK 3:
Do a quickwrite about this philosophical question:
According to the theory of linguist Benjamin Whorf, who died in 1941, "people are only capable of constructing thoughts for which they possess actual words." Do you think this is true? In your opinion, do people first have a concept, and then invent words for it, or do they first need words to create a concept around them?
EMAIL me prompt 2 and 3.
Grammar Tutor
Wednesday, April 23, 2008
ESL Students
Website
Grammarian for Grammarians: Part 1: Prespective Grammar
Computational Limericks
This was a very interesting article. The article begins by stating what us as readers might be thinking, which is “ why is this relevant”. Lessard and Levison stated that limericks represent the stage between puns and jokes. In short, unlike crass jokes, these jokes have a loose structure. We are then given three models of limericks.
The first of these is exhaustive generation. The text was a little unclear as to what this entails, but I gathered that this is writing whatever you are thinking, no matter how senseless. I assume that this can clear ones’ mind, and also give a bank of ideas to go back to. The next step is production, followed by backtracking and editing, restricted by a set of rules. The third is multiple constraint satisfaction.. This , as the article states, “ is the production of a text that obeys multiple constraints”.
After we are given a summary of the rules that govern a limerick, we get an explanation of what a limerick actually is. I would rather have this come before the specifics, but I digress. For those that don’t know, ( and trust me, I was a part of this group before I read this article) a limerick is a 5 line poem that is generally humorous. The poem has an aabba rhyme scheme, and lines 1, 2 and 5 have 9 syllables. Lines 3 and 4 have six syllables.
The articles talks in detail about how the limerick is dictated by the rhyme scheme, which I found to be interesting. Obviously any type of set rhyme scheme is self restricting, and it is this restriction that ironically can bring out some pretty creative limericks. As the article states, this rhyme scheme sets about a right to left approach of writing the lyric, where the writer may choose the word that will rhyme first, and then base the rest of the line off of that word. When the Limerick begins, the writer sometimes chooses to make a skeleton of the overall poem. For example, If I was writing one, and was including my name, I would try and compose a list of words that rhyme with Zach ( quack, sack, rack, tack, etc).
The article talks about how most limericks have some lexical similarities within the poem. For example, many of the words could be dealing with the same topic. The example we are given is food preparation, with many of the words having to deal with this topic ( the limerick contains the words roasted, boiled, baked, toasted, stewed). Also there is such a thing as a historical limerick, which generally follows a certain plot structure, if you will. A limerick about the crashing of the Hindenburg would start out with the motivation, the act, the factor that made it crash, and the consequences.
Limericks also deal with a great bit of wordplay. Generally the sound of the word is very important. For example, we are given a limerick about a dog that plays a musical instrument and keeps thieves away. Given its relation to music, we see some clever wordplay on the word bark. Almost anyone vaguely familiar with music knows of Bach, so the limerick states at the end” For its Bach was much worse than its Bite”. All in all, I found this article to be interesting because I didn’t realize that something so seemingly simple could have such complexity.
Tuesday, April 22, 2008
Limericks
I have emailed you all the works of art of last year's ENGL 300 course.
Let's see if we can exceed them! Go to the following website, and learn about the rhythm and rhyme of limericks.
Then, look at your email and read the examples from last year.
TASK:
Get together in groups of three or four people (maximum), and create your own limerick. Observe the following rules:
1) The rhythm must be correct.
2) The long lines must rhyme.
3) The short lines must rhyme.
4) There must be a pun in it.
No restriction about the topic! Can contain "language," too. After all, limericks allegedly originate from pubs in Ireland...
When you're done, publish your limerick as a comment to this blog entry, and indicate all the names of your group members!
Sunday, April 20, 2008
Can one invent a language with a grammar system???
"Is is possible to invent a language with a whole new grammar system, which can actually be used for communication by people all over the world?"
TASK 2:
We are going to watch the following film in-class: "The Language Challenge - - Facing up to Reality."
TASK 3:
TOPIC: translation again..... take about 10 minutes to complete this task.Work with a partner and translate the following text into English to the best of your ability:
Patro nia, kiu estas en la ĉielo, Sankta estu Via nomo.
Venu reĝeco Via. Estu volo Via, kiel en la ĉielo, tiel ankaŭ sur la tero.
Panon nian ĉiutagan donu al ni hodiaŭ.
Kaj pardonu al ni ŝuldojn niajn, kiel ni ankaŭ pardonas al niaj ŝuldantoj.
Ne konduku nin en tenton, sed liberigu nin de la malvera:
Ĉar Via estas la regado, la forto, kaj la gloro eterne.
TASK 4:
Open the following file. Read along with the text (original and English translation) while we are hearing the sound file on the smartboard computer.
PROMPT: Email me the following answers in essay format. If you don't get done in class, it will be homework for Wednesday.
1) How much would you understand if you just heard the spoken version?
2) If you understood something, what was the reason for that? If you didn't, what was the reason for that?
3) Would it take you longer or shorter to learn this language than to learn German, French, Spanish, or another languague like these? Explain.
4) Do you think it has a future? Explain.
5) Could you create something like this? If you had to, how would you proceed; whom/what would you involve, what would it be like?
LAST EXTRA CREDIT OPPORTUNITY: (Due date: Friday this week)
If you still need to make up for an unexcused missed day, or for homework/blog comments, write a 2 page essay about the history and development of this language! You can use the Internet for sources, but you have to quote accordingly in correct MLA or APA format.
OR:
Write a paper of the same length about other languages like that!
Joker: English translation of an Indian song
:-) This is just MY new thread; you don't have to comment on it!
How important is grammar when grading English Papers?
Mission of Writing Centers Blog Summary
Thursday, April 17, 2008
In-Class, April 18: Grammar, Syntax, and Translations
TASK 1:
Do a short freewrite about WHAT IS BETTER: TO TRANSLATE AS LITERALLY AS POSSIBLE, OR TO SAY IT ACCORDING TO YOUR OWN LANGUAGE'S CUSTOMS AND IDIOMS, THUS LOSING PARTS OF THE ORIGINAL TEXT AND THE AUTHOR'S STYLE?
Publish your quickwrite on this blog as a comment.
TASK 2: Read the texts (6 pages) in the following

INSTRUCTIONS:
Click on the first SMALL one of the six images you see. Then, click on the MAGNIFYING GLASS symbol on your right side (because the original texts are very small). When you've enlargened the image with the magnifying glass, pull the page up and down with the cursor, so you're able to read the whole page.
When you've read the six pages, answer the following essay questions, and EMAIL THEM TO ME:
1) What do you think about the different translations of the same original text from Homer? Which one is your favorite?
2) What are the reasons for different translations of the same text?
3)If you translated a text, what would influence you, and what would you try to do?
4) Do you think human translators will ever become unnecessary?
5) What would you prefer to read - books in their original versions, or as an English translation?
6) Can there be a perfect translation?
7) for extra credit (makes up for one missed blog response from the past): Find an online translation engine, and email me a long German sentence of at least 10 words that you translated from English, and which you think I can understand.
Tuesday, April 15, 2008
In-Class, April 16: Writing Centers and Tutors
Then, either pick one partner, or work by yourself:
Your TASK 1 is to read the following ERIC document, "How to Communicate Politely and be a Tutor, Too" by Therese Tonus.
Answer the following three questions in written form:
1) How should Writing Center tutors behave?
2) Which mistakes do Writing Center tutors make? (with examples)
3) Which compromises do Writing Center tutors have to make?
Email the answers to me. If you have worked with a partner, write both your names in the email.
TASK 2: (individual work)
Pretend you are a tutor at the Writing Center.
Go to Purdue's website "Exercises for Eliminating Wordiness." Do the assignments on this site (first, rewrite the sample sentences, eliminating redundancies and repetitions, thus shortening them. Then, rewrite the story about mysteries in a short and precise way.) Email me your shortened sentences and story (this will be HOMEWORK for next Monday if you don't get done in class).
TASK 3:
If you get done early with the assignments, answer to the newly published blog threads by your peers.
Free Rice
FREE RICE
Monday, April 14, 2008
Online Teaching
Minimalist Tutoring
Video Summary
Minimalist tutoring makes a lot of sense to me. The students go to the writing center to get help with their writing. The goal of the tutors there is to get the students to write on their own. To facilitate this they have them start writing as soon as they get there. If student has specific questions they answer them but in a way that encourages learning. They will not give the student the answer but help them find it out for themselves. If the student gets stuck, the tutors will ask them probing question in an attempt to stimulate the student’s ideas. The idea is to get the student to write the paper themselves. This way they do not get Dependant on the tutors but eventually don’t need them anymore. Most of what the tutors do is encourage the students to think that they are capable of writing. Low self efficacy is the biggest problem that they deal with. The students also need help getting their ideas on paper in a cohesive manner. Sometimes they have read the material but don’t have a starting place. These students often times just need a little push in the right direction. These tutors are doing the same things for these students that my parents did for me. Minimalist tutoring seems to be a great way to help students learn to write proficiently.
Bryan Norbut
Amy Mckenzie's New Thread
Second Language?
In-Class, April 14: Peer-Edit Session
HOC (Higher Order Concerns; i.e., organization, format, ideas, logic, content, etc.)
and
LOC (Lower Order Concerns; i.e., grammar, spelling, punctuation, text flow, etc.).
You're allowed to write on the original paper (in a different color, please). In case you're peer-editing an electronic version instead of a paper copy, you have to insert electronic comments, and you also need to fill in the peer editor's sheet electronically.
At the end of the lesson, give your peer the edited paper back, and staple your editor's sheet at the back. Your peer has to hand in his/her editor's sheet together with the final paper. I WON'T ACCEPT ANY FINAL PAPER WITHOUT THE EDITOR'S SHEET. If you've peer edited an electronic version in class today, you can fill in the sheet electronically (you already have it in an email), too. Just make sure your peer can print it out and attach it to his/her final essay.
When you're done with peer-editing, you can fill in the remaining blog entries, and already begin with the readings for the next blog summaries indicated in the blog below (and also emailed to you).
Sunday, April 13, 2008
last blog summary texts
Daniel Colcord: Look at the following website and describe the mission of Writing Centers, the typical kind of students they receive as “customers,” and the best practices of Writing Center tutors. Prompt for the others: What is your personal opinion about the “best practices”?
Bryan Norbut: Watch the video (interview of Writing Center tutors) on the following website, and explain what “minimalist tutoring” is. Are you in favor of it, or against it? What would the contrary be?
John Lynch: Summarize pp. 150-157, chapters “Teaching Grammar via Mini-lessons” through “Mini-Lessons as a Reflection of the Cognitive/Constructivist Paradigm,” from the Weaver book Teaching Grammar in Context.
Von Smalley: Read pp. 87-101, “Teaching Final Revision and Editing/Proofreading” from the Weaver book Teaching Grammar in Context, and offer your personal opinion about “hands-off policy” and “benign neglect.”
Jessica Berry: Summarize aspects from pp. 8-20, “Part I: Prescriptive Grammar” from the Parker/Riley book, Grammar for Grammarians. It deals with the history of grammar from the classical period over the Middle Ages and the Renaissance.
Alison Romershausen: Summarize aspects from pp. 21-35, “The Prescriptive Period” from the Parker/Riley book, Grammar for Grammarians. It deals with grammar in 17th-19th century England.
If there's anybody who has not published a blog summary yet, and is not on this list, this is the time to contact me and get your topic!
Wednesday, April 9, 2008
Inclusion of Students with Special Needs: Teaching and Learning
This link has useful tips and ideas on how to teach students with special needs and how to include them in a normal classroom setting.
Tuesday, April 8, 2008
In-Class, April 9: Fry Graph for Readability
A) Watch the Youtube file "One Semester of Spanish Love Song."
Do a quickwrite of 100 words or more about the prompt: "What did you learn about teaching an L2 language from the Youtube file 'One Semester of Spanish Love Song'?"
B)Today - while we are awaiting the survey results coming in - we are going to assess our own personal READABILITY level measured by the Fry graph.
The reading of the handout which was due today explained who Fry was, what the graph assesses, how the procedure goes, and what readability really is. You also have the blog summary which gives you a detailed account.
Now, your TASK is to create your own Fry graph. Use the following link to review the procedure, and draw a colored bullet on the handout I gave you at the place where your own readability score lies.
For this assessment, you will need three 100-words-samples of your previous writing.
Where do we get those from?
1) Your first 100-words-sample will be one of your previously published blog comments. Just cut any of your comments out of the blog, paste it into words, and cut it off after having counted 100 words. Then, perform the steps mentioned on your handout from Monday. (This sample will probably have a less high readability level, since most student don't consider blogs "academic writing," and pay less attention to word choice, syntax, vocabulary, flow, and sentence length.)
2) Your second 100-words-sample should come from the finished parts of your research essay. You can either take your abstract, if it has 100 or more words, or parts of your Lit Review or other subheadings. Just count 100 words in a row, and perform the steps mentioned on the handout. (This sample is expected to have a very high readability level, because our research essays are aimed at a professional audience.)
3) Your third 100-words-sample will come from the quickwrite which we did at the beginning of the lesson. Your prompt was: "What did you learn about teaching an L2 language from the Youtube file 'One Semester of Spanish Love Song'?" (Well, this sample should show your average readability, when you don't try to sound 'academic,' and you don't talk down because it is 'just a blog'...) Perform the usual steps.
Write your name on your Fry graph entry and submit it to your instructor!
When you're done with this little assessment exercise and still have time, you can continue working on points 6+12 (Lit Review, and Annotated Bibliography) for your research essay, or create your own "new thread" for our blog, or answer to the interesting new threads opened by others!!!
HOMEWORK for Friday:
Have your points 1-9, as well as 6+12 completely finished. We are going to edit our previously created graphs on Friday by typing in the correct numbers resulting from our surveys. Then, we'll complete the research essay in an in-class workshop Friday and next Monday by analyzing our three graphs, and putting the last results in our abstracts, the 'result' part, and the conclusion.
Input and Classroom Interaction
In my opinion, I feel that the teacher should speak in their own language if the students are having a difficult time understanding. To me understanding is the beginning of knowledge. To further emphasize my point, I would not expect a teacher speak to L2 beginners at a college level standard.
Here are some points that the article brings forth:
--That teachers need to match the level of their classroom interaction and the teaching materials with the learners proficiency level.
--To explain difficult words before teaching the passage and look for contextual learning in their students.
--Make sure the students know clearly what the learning tasks involved for the lesson before presenting the lesson.
--Basically trying to remove communication barriers and to teach contextually versus word for word memorization. Let the students discover the message.
After consideration of this article, what would you believe is the right avenue of education on this particular subject?
Total immersion in the L2 language, or explanations in L1?
....Regina M. Evans....
Readability versus leveling
William Holmes McGuffey developed the first widely used "leveled" set of readers in 1836, using a numerical ranking instead of grade level designations. Most traditional readability formulas are based on two measures: syntax difficulty (grammatical complexity) usually measured by sentence length and semantic difficulty (meaning or word meaning) usually measured in syllables or number of letters. Leveling, however, is less objective and takes a number of "text support" factors into consideration such as; content, illustration, length, curriculum, language structure, judgment and format.
Readability formulas can be bad because they do not take into account motivation and appropriateness. There are many students that read on a level below their grade and when a student cannot understand what they are reading, they most likely will not read it. Readability formulas do not take into account factors inside the reader's head and tend to be text based. Leveling tries to compensate for part of this limitaion. Leveling is not used outside the classroom while readabilty is used in both. Readability has the strength of objectivity and consistency that any person or computer will get the same score. Leveling has the strength of taking more factors into account than traditional readability formulas and usually provides finer gradations at the primary levels. Both those in the field of readability and leveling are trying to help classroom teachers to teach reading better by helping them select books for their students.
Monday, April 7, 2008
Language in the Court Room
Judge's Ruling
Teaching Students with ADD
Teaching Foreign Languages to Elementary Students
http://www.washingtonpost.com/wp-dyn/content/article/2006/08/07/AR2006080701284.html
Amanda
